“Man, I need a drink,” said Raymond, massaging the back of his neck as he entered the dressing room. His ripped Pixies t-shirt was still soaked in sweat and there was a dirty white towel draped over his shoulder. “Any beers left?”

The small, windowless dressing room was covered in graffiti and smelled of stale beer and staler BO. Mags, their striking twenty-one year old drummer in a black tank-top and jean hot pants, was lying across a beaten up red arm chair in the corner, reading her phone with one hand, an open beer in the other.

She looked over at Raymond, moved her choppy black hair out of her eyes and smiled. Without taking her eyes off him, she drained the can she was drinking, crushed it and threw it across the room at him.

“All out,” she said.

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At four thirty in the morning, Drake’s tiny, fitted earphones start playing a fugue by Bach and a large rectangular section of the wall that butts up against the end of his bed slowly fills the room with a soft orange light, gently waking him up.

After a quick shower, he puts on a black suit, white shirt and black tie and sits back down on his bed to eat his breakfast. His windowless studio on the 37th floor of the apartment complex is small. The bed takes up one corner and a kitchenette occupies another. An old, beaten armchair sits in a third and his bathroom—a wet room no bigger than a decent sized closet—takes the fourth. He has been living here for three and a half years.

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The first shooting happened on a Monday. A man walked through the downtown office of a small insurance firm looking for someone in particular, and, upon finding him, opened fire, sending a single bullet through the accountant’s forehead.

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